Monday, 6 February 2012

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Sunday, 27 November 2011

How to Make Gold Sequin Dotted Eyes

In creating this aspect of eye makeup points in the model Sophie Van Den Akker, makeup, Napoleon Perdis Shev Kelly kept his face fresh and flawless, so the key feature sequins. She was kind enough to share details how to do the steps with us about how to create the appearance. 


Start the look by applying a moisturizer and primer of the face. We applied the renewal of Napoleon Complex skin all over your face serum with 19b Foundation Brush artist, before adding Napoleon Perdis Auto Pilot Pre-Foundation of initiator to the face. 

Preparation lips with Napoleon Perdis Auto Service pilot lips. 

Apply your first coat of mascara. Napoleon Perdis Mesmer was used eye mask, using both sides of brush mascara Mesmer (starts with the larger comb for applying mascara and separate lashes with the comb 

Using a foundation brush (in the example of Napoleon Perdis Foundation brush artist 19b), apply the base area "thematic approach" of the face (the triangle of features - eyes, nose and lips) and mix well so it disappears in the jaw line. Sophie was used by Napoleon Perdis Foundation sheer genius. 

Hide dark circles - we chose to use the pen of Napoleon Perdis Concealer powerful - eye area to conceal any discoloration or dark. Be sure to warm the concealer into the skin with your fingertip. 

Apply a touch of concealer to the entire eyelid from lash line to brow bone and decorated with a touch of Napoleon Perdis Camera Finish, creating a base of matte eyeshadow. 

The light of the foundation through the area of ​​"thematic approach" of the face-finish camera Napoleon Perdis. 

For the eyes use two colors of eye shadow: one naked and another in the same color of the sequins. Napoleon Perdis was used 16b contour brush to sweep Napoleon Perdis Color Disc skinny Dip the lash line of the brow bone. 

To highlight the inner corner of eyes, Napoleon Perdis Color was used Disk sparkling champagne.

Apply two coats of mascara to top lashes and one coat lower lashes. 


Comb your eyebrows up and out with a clean mascara wand then define an eyebrow pencil. For Sophie's eyebrows Chocoholic Napoleon Perdis was used. 

September unruly brows in place with a clear mascara as Napoleon Perdis Peep Show Mascara Madame Crystal. 


First add a little edge. Napoleon Perdis was used finishing powder brush to apply Napoleon Perdis s25 final shape of the contour palette below the cheekbone. 

With a blush brush, as Napoleon Perdis 22b Chisel Blush Brush, apply a light blush to the apples of the cheeks, adding that soft peach flush. By Napoleon Perdis Sophie used disk color orange sherbet. 

If color is used Napoleon Perdis Dip thin disk as the naked eye color can also be used to highlight the top of the cheekbones. 


Using a lip brush (in the example of Napoleon Perdis Lip Brush Compact 2b), cover the mouth with a soft coral-colored lipstick. Napoleon Perdis DeVine Sophie takes Lianna Goddess Lipstick mixed with a small amount of Napoleon Perdis lip bright veil Opal rare. 


Take two small gold sequins and cut in half. 

Use eyelash glue, sequins press through the center of the lash line up and the other half of the sequins on the lower lash line.

Latest Hair Styles for the Year 2012

If that is an expression that you are familiar with, then the odds are that a) was raised in a time when only men frequented barber b) were raised by a man who falls into the former category, c) have the least half decent bringing. More or less guarantees that it is an expression that everyone who reads this book is familiar with. And yet, is an expression that is not used all that much more. As expressions go, languishing in a corner of a room covered in dust disused just over (what ever really say) phrases like manscaping and metrosexual. But the dust devil - you will hear much more of the short back and sides in the next year. Your stylist will beat scissors around his head and then do something you probably have not done in a long time: they will ask permission to use scissors. Neighbors, who will ask for permission. 

Why would it be? 
To put too fine a point no to it (and to quote Peter Allen) "everything old is new again." 
There will be no shortage of hair cuts in 2012 that require a set of clippers, but not all will be influenced by the way that men wore their hair in the years 1920 and 1930. We're not talking about a specific style, but a variation on a theme: short back, short sides, and the length through the top. In his time there were many his name, each one related to the subculture who commit it (in the 1980 Scandinavian countries was dubbed the synthetic hair cut as a result of its association with synth bands of the time). But in the end (no pun, really) the length at the top slicked back, which means that the disconnect between the rear, side and top makes this a cut haircut. 

The 70 are back for people with American tastes of the 60 they swing back for those who prefer something from the other side of the Atlantic, and women are working their way back through the 50's, although it will in time begin to contemplate the fashion 1920 for the second time in a few years. As for us guys, we're already there. Courtesy of Don Draper got the recovery before the 60 women did, and now we are seeing the 20's have left their mark on men haircuts 2012 - is one of those rare occasions when men's fashion is about before the woman.

Men's and Women’s Colour Trends for the Year 2012

For a market of young contemporary California design options forecasters see color trends for fall 2012 as a movement in four different themes. House of Style brings a palette of soft pastels and soft neutral tones, Future Retro is deeply nostalgic, vibrant and evocative; expression of extreme contrasts Arctic fire and ice, and finally Print Works is a palette of rich tones and jewel and of the earth.

California Design Options forecasting agency have released their predictions about color trends for fall 2012 for the youth market. There are four key themes: Classic Luxe, a smooth and polished palette of contrasting cool, frost around the blues, Big Chill, whose brilliant bursts of mustard and brick tones, and finally street, a palette of earthy browns , camels and grays.